14:00
Panel: Responding to the Now: The Power of Film in Times of Conflict and Injustice
With Şirin Fulya Erensoy, Viola Shafik and Basma Al-Sharif
During this year’s edition of Hive International Short Film Days, we will host a panel titled, with the participation of film scholar and filmmaker Viola Shafik and filmmaker Basma Al-Sharif and in conversation with film and media scholar Şirin Fulya Erensoy. In line with this year’s festival theme of reaction, the panel will explore how we maintain our voices amidst the ongoing failures of humanity and how, as filmmakers and scholars, we respond to the horrors of our time while finding hope, even when history seems hopelessly to repeat itself. What strategies can we adopt to create not only images of resistance that inspire political action and shift public opinion, but also to challenge the structures that uphold representational hierarchies and biases within film production and academic work? How do we confront the deliberate repression and censorship of certain knowledge systems in these fields and build a cultural resistance movement?
Viola Shafik is a German-Egyptian film theorist, curator, and filmmaker, who has written extensively on the history and culture of the so-called Arab world. Drawing on her recent book on documentary filmmaking in revolutionary contexts across Algeria, Morocco, Palestine and Syria, Shafik will discuss the complexities of documenting resistance and the ethical dilemmas faced by filmmakers capturing the realities of war and political upheaval. She will explore what it means to film and record such charged realities—how cinema can serve as both testimony and intervention, and the responsibility filmmakers bear when representing trauma, violence, and resistance.
As a Palestinian artist, Basma Al-Sharif's work examines the cyclical nature of political conflicts and seeks ways to produce images that not only reflect the consequences of colonization and occupation on a historical level but also incorporate the subjective experiences such histories have generated. She consciously bears witness to life itself, in an effort to represent Palestinian existence beyond the frames constructed by Western and Israeli media narratives that aim to erase, deny and obstruct the sight of such stories. Her contribution to the panel will focus on her approach to creating new visual languages to confront erasure and offer alternative representations of Palestinian life.
17:00
Selection 2 / Ouroboros
76 min.
This selection will present the feature film by our panelist, Basma Al-Sharif.
Ouroboros
Basma Al-Sharif
Palestine, France, Belgium, Qatar
76 min.
An homage to the Gaza Strip based on the eternal return. A journey following one man through five different landscapes marks the end as the beginning, forgetting as the way forward, and the failure of civilization.
20:00
Selection 3 / Reaction
72 min.
Reaction delves into our responses to the various stimuli that surround us. Reactions are triggered by the myriad influences we encounter daily—whether societal, cultural, personal, or environmental. As human beings, our agency lies in how we navigate and respond to these situations, transforming limitations into creative opportunities. Embracing our role as reactants in this ongoing interaction, we recognize that our responses—much like chemical reactions generating new substances—lead to the formation of transformative outcomes.
So, this year’s theme invites us to be responsive, present, and aware, acknowledging that even choosing not to react is a form of response in itself. How do our reactions affect our identity and worldview? In what ways can our expressions offer new perspectives on our collective and individual responses? How do filmmakers interpret and depict these interactions through visual storytelling?
Wall, the Wall
Yusuf Ölmez
Turkey
16 min.
Murat is a dedicated construction worker building a gargantuan wall for a boss whom none of the workers has ever seen. After the departure of his colleague, Ali, and his relocation on the other side of the wall imposed by Yavuz, the boss' right-hand, Murat sinks into a whirlwind of tension that leads him to struggle to meet the man he works for.
The Cascade
Pablo Delgado Sanchez
Mexico
21 min.
A man discovers he's been crying for several months without even noticing. Strangely, his tear ducts have decided to work in an inverse manner, transforming his interiors into a waterfall. The man will have to find a way to stop a cry that he can't even feel.
I don’t want to be just a memory
Sarnt Utamachote
Germany
20 min.
Fellow members of the Berlin queer community mourn together the loss of their dead friends due to substance abuse and the mental health crisis as well as the loss of urban safe spaces in general. By sharing personal materials, stories, and honest criticism about the club scene, working on this film becomes a means of healing for this group of friends. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care, they transform dead bodies and memories into a collective structure that sustains future living.
Between Delicate and Violent
Şirin Bahar Demirel
Turkey, Netherlands
15 min.
‘Between Delicate and Violent’ is an experimental documentary that considers hands as memory places that can both accumulate and transfer memories. Through hands and their creations, it imagines unearthing lost memories that have not been included in performative, socially acceptable family albums. Can we see the violence of the painter’s hands in the brush strokes of his paintings? Could cross-stitch be an alphabet of some sort? The video connects with the director’s personal past through imagination and creation, while opening up to larger human stories such as domestic violence and intergenerational trauma and resistance.
22:00 - 23:45
Richard Akingbehin / Refuge Worldwide
Ambient DJ Performance
23:55
Selection 4 / Midnight
56 min.
When everything is at its darkest, we hope for the morning.
Lake of Fire
Neozoon
Germany
11 min.
The fear of death can only be conquered if people believe in a powerful savior - otherwise eternal damnation in hell is waiting. The documentary found footage collage LAKE OF FIRE shows the dualistic view of Evangelicals and the fatal consequences for planet earth.
Voice Messages From Bakhmut
Ihor Babaiev
Ukraine, Lithuania
15 min.
Bakhmut, Donetsk region, 2022. A story about an attempt to restore intimacy amidst the distance imposed by war. It unfolds through the voice messages of a foreign correspondent stationed in a front-line city.
Elefsina Notre Amour
Mahdi Fleifel
Greece
9 min.
Deserted landscapes, ancient ruins and abandoned shipwrecks at sea. Elefsina’s archeological sites don’t come close to being as hauntingly beautiful as these dead ships. They stand majestically like memorial sculptures and bring a magnetism to the eye. In fact, these are the neglected refugees of Elefsina. For how did they end up there, anyway? What's their story? That's the story I want to know. ElefsinaNotre Amour is a short sci-fi essay, a timeless archive, filmed on 16mm color Kodak.
Villa Madjo
Elen Sylla Grollimund
Belgium
13 min.
Starting from the observation that her father -who is white- was born in Africa, and that her mother -who is black- was born in Europe, the director reveals the complex history of her family, from colonialism to their experience of the interracial couple in Europe in the 1950's and 70's.
Fin. Finito. Infinito.
Laurence Henriquez
Netherlands
8 min.
Straddling the liminality between documentary, satire and science fiction, Fin. Finito. Infinto. is a testament to the last day of light on an “alien” planet whose civilization has known for 1000 years that its star would die out. Ironic detachment and poetic license are utilized to “lift the veil” off the everyday banalities of an island resort town, transforming it into a landscape of caprice and myth blissfully careening toward apocalypse.